This is probably the scariest tale with some very disturbing imagery. The first is the story about a couple of girls picked up from a bar and recorded secretly on camera glasses. Once in he house they find a huge collection of videos, each one showing a different tale of horror. V/H/S sees a gang of guys break into a house in order to steal a video cassette for blackmailing purposes. I was amazed to find that for the most part they were met. The two joining together for V/H/S was a very exciting idea and gave me very lofty expectations. I also love horror anthologies withe some of my favourite TV shows being The Twilight Zone, The Outer Limits, and Tales From The Darkside. I love found-footage films, especially when they are done well. It's genuinely unsettling quite often and the anthology format means that no idea overstays its welcome. Overall, I have to say that this is a rather fine example of a recent horror film. The combination with both styles of horror is very successful. But it's the mysterious moments that create the genuine tension, such as sinister figures seen briefly on camera, strange sounds and general weird goings on. From the former there are several scenes of blood and guts including a beheading by knife and some disembowellings. There's a skillful combination of visceral and suggested horror. I won't reveal many details of the contents but, amongst other things, there is a vampire, malevolent ghosts, a supernatural serial killer, a house invader and a weird ritual. The different stories are basically disturbing in the way that the best found footage flicks are, in that we are literally put right into the shoes of these people and their terror transmits more easily. Each and every one delivers the goods in this respect and that's half the battle when it comes to horror flicks. While some of the segments are better than others, where this one scores is that even the weaker stories contain some very scary moments. It's an anthology movie, made up of a selection of short stories based around a series of videotapes found by burglars at a scary house. Perhaps at the root of the film's success is its structural format. Well, rest assured, there's nothing to worry about as this is an excellent example of the sub-genre. Some folks might be a little deterred from seeing V/H/S when they learn it's a found footage movie. So as with any other anthology horror, you roll the dice and take your chance, just don't expect genius in every story, for that is purely folly of expectation. However, if you ask another fan of the film what stories they feel standout, you may just get two different answers. The former is a cautionary tale of frat boys out for sex who get more than they bargained for when they take home the mysterious Lily, the latter an eerie tale unfolded via Skype communication as Emily appears to be a victim of a haunting whilst chatting to her doctor boyfriend. It's a format loved by many for its supposed realism factors, I don't get that myself, but for those people this really is up their trees! Amateur Night (David Bruckner) and The Sick Thing That Happened to Emily When She Was Younger (Joe Swanberg) are the standouts. Not everyone is a fan (myself for instance), and much of V/H/S is dizzying and often hard to follow, especially as regards the Tape 56/frame narrative story that cloaks the other five stories as a bunch of no-mark young crims burgle a grotty house and sift through the tapes. The usual problems are evident here, a couple of great stories are surrounded by mediocre ones, but at least there is something for everyone, with most bases covered, but that in itself is a problem, all horror fans have preferences, it's a big ask to expect a fan of stalk and slash to love a story about a winged harpy! Then there is the issue of the found footage format, here recorded on actual VHS. This will come as no surprise to anyone who knows their horror anthology onions. Six indie directors have produced a picture that was well received at Sundance but has proved to be most divisive with critics and horror fans on internet forums. V/H/S brings the format into the new age by unfolding its tales by wrapping around the latest craze of found footage. The horror anthology has a chequered history, some are bad but saved by one great segment, others boast a couple of genuine creepers but are undone by one instalment so bad it tarnishes the film forever.
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Paul Wills's monumental, elegant and surgical set features long windows with blank white panes that offer no views. The sense of characters held in a steel trap is chillingly conjured up from the opening moments, with a silvery shiver of notes from Adam Cork's fine soundscape - music which contains the hint of a dying chorale - and clever metallic lighting, by Paule Constable. However, Grandage's production does a wonderful job of putting flesh on these bones. Some of Ravenhill's lines are so stripped of character that they might have been written by a machine, one of those Mamet-logues that seems to run around writing jerky dialogue for plays: It uses the sort of menacing and menaced, pared speech that is sometimes thought of as Pinteresque, but actually Pinter's dialogue is usually weirder, more baroque and exact you might not always know which character it belongs to, but you know it belongs to Pinter. It doesn't come close to the great dystopic play of the last ten years, Martin McDonagh's The Pillowman, whose strength came from creating its own creepy myth, and which is probably the only 21st-century play to have inspired paintings by a major artist - Paula Rego.įor too much of the time The Cut is diminished by savourless, truncated dialogue. The mechanical goriness of this has a dramatic effect, but it doesn't amount to a sustained imaginative vision. The really sinister ramifications of the op are glimpsed in the attitude of an eager victim: a healthy young man, given to yogic ruminations, who looks to annihilation as a relief and welcomes pain with a sort of sun salute. He's seen at his task only briefly: there's a swift, inexplicit surgical procedure and a flood of red light over the stage McKellen peels off some blood-spattered latex gloves. There's a huge prison population, and a university community that is kept under tight control.Īt the centre is the not altogether surprising secret of the play: the profession of the main character who, unsuspected (or so he thinks) by his family, slices people up for a living, on behalf of the state. An underclass proles around looking stunned as they bring on instruments and serve tea. Set at some indeterminate point in the future, situated in an unspecified city and country whose citizens are governed by unexplained rules and harsh divisions, The Cut is a black parable in which all the nightmare buttons are hit early on. What Ravenhill has produced is scaffolding rigged up with alarms. There's too little flesh on either plot or dialogue. It's a fascinating choice, and in Michael Grandage's hypnotic production, with first-rate performances from Deborah Findlay and Ian McKellen, it almost looks like a significant one. Now, with The Cut - you can hear the roll of his talent in the swagger of the title - he's changed direction again, upped his ambition and put a dystopia on the stage. At last year's Edinburgh Festival he got up alone on stage to give, in Product, a caustic portrait of the movie industry. He has paid tribute to Oscar Wilde in Handbag, and, in Mother Clap's Molly House, reconstructed the lives of 18th-century homosexuals. Compare Standard and Premium Digital here.Īny changes made can be done at any time and will become effective at the end of the trial period, allowing you to retain full access for 4 weeks, even if you downgrade or cancel.Ravenhill hasn't hung around repeating himself over the last decade. You may also opt to downgrade to Standard Digital, a robust journalistic offering that fulfils many user’s needs. If you’d like to retain your premium access and save 20%, you can opt to pay annually at the end of the trial. If you do nothing, you will be auto-enrolled in our premium digital monthly subscription plan and retain complete access for $69 per month.įor cost savings, you can change your plan at any time online in the “Settings & Account” section. For a full comparison of Standard and Premium Digital, click here.Ĭhange the plan you will roll onto at any time during your trial by visiting the “Settings & Account” section. Premium Digital includes access to our premier business column, Lex, as well as 15 curated newsletters covering key business themes with original, in-depth reporting. Standard Digital includes access to a wealth of global news, analysis and expert opinion. During your trial you will have complete digital access to FT.com with everything in both of our Standard Digital and Premium Digital packages. 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The SPARC AR features rugged construction that’s still compact, with a lightweight form-factor. Or perhaps Jolene is one hot female-identified tomato, and as far as the singer’s man’s concerned, his pastor and his granny can go to hell! Jolene’s the only one for him. Perhaps the singer’s man craves the comfort of a more socially acceptable domestic situation. Or maybe the singer and his man live in a place where same sex unions are frowned on. Somebody has tinkered with the song and slowed it down to 33 RPM (revolutions per minute) which turned it into a whole different piece and actually, it sounds pretty cool. Jolene’s prodigious feminine assets could also prove worrisome to a gay man whose bisexual lover’s eye is prone to wander. Well maybe, you don’t have to look far as this slowed down version of Jolene, a classic country-style song by Dolly Parton, proves. Parton told NPR that women are “always threatened by other women, period.” The pain is the same, but the situation in much less straightforward, thanks to blurrier gender lines. In the slow ass version, it’s plaintive and sad. In the original version, the irresistible chorus wherein the soon-to-be-spurned party invokes Jolene’s name again and again is plaintive and fierce. In the original Jolene, the catchy chorus invites a fierce soprano sing-along as Parton appeals to another. While not all songs can handle this drastic change in tempo, Jolene is transformed in more ways than one. Wouldn’t it be wild if she grew up to be a bank teller? Many years ago, Dolly Parton’s 1973 hit Jolene was slowed down from the original 45 RPM record to just 33 RPM. Yes, the kid had red hair and green eyes. Parton was so taken with the child, and her unusual name, that she resolved to write a song about her. Jolene was a pretty little girl who attended an early Parton concert. I don’t believe we’ve got that kind of money.’ So it’s really an innocent song all around, but sounds like a dreadful one.įor the record, the teller’s name wasn’t Jolene. It was kinda like a running joke between us - when I was saying, ‘Hell, you’re spending a lot of time at the bank. In an interview with NPR, Parton recalled a red-haired bank teller who developed a big crush on her husband when she was a young bride:Īnd he just loved going to the bank because she paid him so much attention. The song is somewhat autobiographical, though the situation was nowhere near as dire as listeners might assume. Instead, she appeals to Jolene’s sense of mercy: Is this another build up to say that commercially successful songs are better/worse, or that there is a definite one way that music can be expressed with regards to song structure.Apparently she also knows better than to raise the subject with him. I am curious what the “definition” of shit music is, as what is shit to you may be gold to another listener. Then there was always the late night dulcet tones of Zamfir or Kenny G as they flogged off their latest instrumental set of LPs, but were they any shittier than the played out super groups of the 70s, or the New Wave inspired sounds of the 80s, or the ever present generic pop sound since the 90s? Demento who is considered to be a purveyor of some of the finest shit music around. I grew up on much delta blues inspired rock, but at the same time when i was a pre-teen I was absolutely enamored with Dr. This gets into some seriously subjective taste, especially re: what exactly is shit. One example that made me stop and take note of might even be an interesting exercise to refer to:ĭolly Parton’s “Jolene” slowed down from a 45 to 33rpm (from her 1973 album of the same name)Īnd here why, if you are not already Reply giving a chance to a second listen to a song I would have otherwise passed on, or not listened to in the first place. I listen more and more to CBC’s under the covers. A song that you might like/ love might say nothing to me. shit songs by whose criteria, bad lyrics? wrong voice, commercialized, in a style the listener does not like. it comes across as so fake to me, that i often don’t bother giving the lyrics a chance.īut your question also makes wonder. Hearing a vocal treated by autotune also drives me to change the channel too. Very few songs make me want to immediately change a station if I come across it. In addition to direct device scans, Disk Drill for Mac can also scan any past iTunes backup stored on your Mac. 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Nuclear fission can occur without neutron bombardment as a type of radioactive decay. Physical overview Mechanism įission product yields by mass for thermal neutron fission of uranium-235, plutonium-239, a combination of the two typical of current nuclear power reactors, and uranium-233 used in the thorium cycle. The industry term for a process that fissions all or nearly all actinides is a " closed fuel cycle". Nuclear reprocessing aims to recover usable material from spent nuclear fuel to both enable uranium (and thorium) supplies to last longer and to reduce the amount of "waste". All actinides are fertile or fissile and fast breeder reactors can fission them all albeit only in certain configurations. U - or rather its decay products - are a major gamma ray emitter. The thorium fuel cycle produces virtually no plutonium and much less minor actinides, but 232 Concerns over nuclear waste accumulation and the destructive potential of nuclear weapons are a counterbalance to the peaceful desire to use fission as an energy source. U) whose radiotoxicity is far higher than that of the long lived fission products. Neutron absorption which does not lead to fission produces Plutonium (from 238 However, the seven long-lived fission products make up only a small fraction of fission products. The products of nuclear fission, however, are on average far more radioactive than the heavy elements which are normally fissioned as fuel, and remain so for significant amounts of time, giving rise to a nuclear waste problem. The amount of free energy contained in nuclear fuel is millions of times the amount of free energy contained in a similar mass of chemical fuel such as gasoline, making nuclear fission a very dense source of energy. This makes a self-sustaining nuclear chain reaction possible, releasing energy at a controlled rate in a nuclear reactor or at a very rapid, uncontrolled rate in a nuclear weapon. Both uses are possible because certain substances called nuclear fuels undergo fission when struck by fission neutrons, and in turn emit neutrons when they break apart. Nuclear fission produces energy for nuclear power and drives the explosion of nuclear weapons. The unpredictable composition of the products (which vary in a broad probabilistic and somewhat chaotic manner) distinguishes fission from purely quantum tunneling processes such as proton emission, alpha decay, and cluster decay, which give the same products each time. Spontaneous fission was discovered in 1940 by Flyorov, Petrzhak, and Kurchatov in Moscow, in an experiment intended to confirm that, without bombardment by neutrons, the fission rate of uranium was negligible, as predicted by Niels Bohr it was not negligible. The smallest of these fragments in ternary processes ranges in size from a proton to an argon nucleus.Īpart from fission induced by a neutron, harnessed and exploited by humans, a natural form of spontaneous radioactive decay (not requiring a neutron) is also referred to as fission, and occurs especially in very high-mass-number isotopes. Most fissions are binary fissions (producing two charged fragments), but occasionally (2 to 4 times per 1000 events), three positively charged fragments are produced, in a ternary fission. The two (or more) nuclei produced are most often of comparable but slightly different sizes, typically with a mass ratio of products of about 3 to 2, for common fissile isotopes. Like nuclear fusion, for fission to produce energy, the total binding energy of the resulting elements must be greater than that of the starting element.įission is a form of nuclear transmutation because the resulting fragments (or daughter atoms) are not the same element as the original parent atom. In their second publication on nuclear fission in February of 1939, Hahn and Strassmann predicted the existence and liberation of additional neutrons during the fission process, opening up the possibility of a nuclear chain reaction.įor heavy nuclides, it is an exothermic reaction which can release large amounts of energy both as electromagnetic radiation and as kinetic energy of the fragments ( heating the bulk material where fission takes place). Frisch named the process by analogy with biological fission of living cells. Meitner explained it theoretically in January 1939 along with her nephew Otto Robert Frisch. Hahn understood that a "burst" of the atomic nuclei had occurred. Nuclear fission of heavy elements was discovered on Monday 19 December 1938 in Berlin, by German chemist Otto Hahn and his assistant Fritz Strassmann in cooperation with Austrian-Swedish physicist Lise Meitner. The fission process often produces gamma photons, and releases a very large amount of energy even by the energetic standards of radioactive decay. Nuclear fission is a reaction in which the nucleus of an atom splits into two or more smaller nuclei. 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NPS says the cleanup could take many years, which means it'll be abandoned in the meantime. Unfortunately, in August 2020, the National Parks Service closed Dead Horse Bay to the public after it found radiological contamination. In 1923, the New York state legislature passed a 50. The junk-bottles, shoe leather, bits of plastic and a ton of other pieces of trash-still continues to wash ashore. An abandoned section of the former Rockland State Hospital, now known as Rockland Psychiatric Center. He is an avid marathon runner, and spends most of his time eating, running, and working on cool stuff. ago The old hospital off of Beach 149th St. By the 1930s, the dump was capped off, but that cap broke in the 50s, leaking garbage onto the beach. urban exploration New York City Hall City Hall Park, New York, NY 10007 (212) 639-9675 Matt Coneybeare Editor in Chief Matt enjoys exploring the Citys with his partner and son. Its in Rockaway, about 15 minute drive, and although not too urban, has some abandoned forts and the like. WATCH Urban Explorer Exposes the Abandoned Bowery NYC Subway Station by Matt Coneybeare at 4:00 PM on AugDeep under the streets of NYC lies a labyrinth of half-used subway tunnels that connect to the lost Bowery Street Platform. Around the turn of the 20th century, when horses were being replaced with automobiles, Dead Horse Bay became a landfill. Urban explorer and photographer svvvk has been taking his art to new heights recently, over 900 feet above Lower Manhattan to the top of 40 Wall Street, in his latest heart pumping YouTube. As you can imagine, it wasn't a pleasant scene. Beautiful Urban Explorer New York Poster Print by jodotodesign Printed on Metal Easy Magnet Mounting Worldwide Shipping. The horses' remains were just dumped into the water. Back in the 1850s, the marshland and beach were surrounded by horse rendering plants (where dead horses were made into glue and fertilizer), garbage incinerators, and oil factories. Towering buildings choked by ivy are surrounded by grounds of. Find it: Gateway National Recreation Area (but don't go looking)Ĭan a beach be abandoned? Maybe not, but this particular stretch of oceanfront isn't one the masses seek out and there's a very good reason for that-it's full of trash (and now radiation). The Kings Park Psychiatric Center was an asylum that operated from around 1885 until 1996, when New York State closed the facility. Some people may be able to complete the process in as little as a few weeks, while others may take longer. The process of getting a motorcycle license in California can vary depending on the individual. How Long Does It Take To Get A Motorcycle License In California? There is no such thing as a motorcycle endorsement or permit in every state, but you are not permitted to drive one without one. Is it illegal to own a motorcycle without a license? You can own and keep a motorcycle without a license if you have an insurance policy. The state of California has several driver license classes for two-wheelers: Class M1 – This license allows the operation of any two-wheeled vehicle in the state, while Class M2 allows all two-wheelers. A $33 application fee must be paid.Īnyone wanting to ride a motorcycle in California must have a valid license at all times. Bring your California driver license or ID card, as well as a DL 44 form, to the Department of Motor Vehicles. A motorcycle instructor permit, as well as a motorcycle driver’s license application, must be completed within at least 6 months of your first motorcycle instruction permit.Ī California Motorcyclist Safety Program (CMSP) or a motorcycle driving test can be completed by visiting a California Department of Motor Vehicles (DMV) office. Before you can obtain a DL 389 certificate, you must successfully complete a motorcycle training course. The California Highway Patrol has a motorcycle safety program in place. To be eligible, you must pay an application fee, complete a vision exam, scan your fingerprint, and have your photo taken. If you want to be a citizen, you must provide proof of identification and residency. In addition, the Department of Motor Vehicles will require you to take a knowledge test. Motorcycle licenses are classified into two types in California. Here’s what you need to do to get your motorcycle license in California. The process is relatively simple and straightforward, and as long as you meet the requirements, you’ll be out on the open road in no time. For example, California motorcyclists under 21 must have a learner's permit for six months before they can take the road test.If you’re a motorcycle enthusiast, you’re in luck – you can easily get your motorcycle license in California. Most states don't require adults to carry a permit for a minimum period of time, but they often set minimums for minors. For example, an adult rider who successfully completes a state-certified training course might be able to get their motorcycle license over a weekend.īut, if you choose to learn on your own, you may need days or weeks of practice (and instruction from an experienced rider) before you're comfortable enough to pass the test. The amount of time and money it takes to get your motorcycle license or endorsement depends on how you go about getting it and whether you pass your tests. Getting a motorcycle license: Time and cost However, you must still take a written knowledge exam, which you can do before or after taking the course. After successful completion of the course, you'll be issued a D元89 certificate, which waives the road test. In addition, you'll get real-world experience on a motorcycle.įor example, California offers a 15-hour course for beginners with both in-classroom and on-motorcycle instruction. For example, in California, an adult class costs $295 to $350, which includes the cost of the skills test but not the written exam.ĭepending on your state and the course, you may spend time in a classroom with video, written and oral instruction. These motorcycle skills courses can cost $200 to $500, depending on where you live and how much material is covered. You might also be eligible for a discount on your motorcycle insurance. Generally, these two- to four-day courses include a live instructor and may allow you to skip the written motorcycle exam, the road skills test or both. Many states recommend or require that you take a motorcycle skills class before getting your motorcycle license. Taking a motorcycle skills class is optional but recommended Depending on the state, you may receive your permanent license in the mail or in person at the DMV. Once you've completed your skills test, you'll be issued a temporary license or endorsement. If you are under 18, a Certification of Supervised Driving (MV-262), completed by your parent or guardian Your original Pre-Licensing Course Certificate (MV-278) or Student Certificate of Completion (MV-285)Ī properly operating, registered and inspected motorcycleĪ properly operating, registered and inspected motor vehicle with a driver who is 21 or older and has a valid driver’s license, to transport the license examiner during your road test Glasses or contacts, if your permit indicates you need corrective lenses Discover Autosaved Excel Files Using Windows Search Bar
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